Amber Midthunder leaned into monochrome drama at A24’s OPUS premiere—lace, bows, and a flash of noir nostalgia that felt equal parts ingénue and icon-in-the-making.
There’s something about black-and-white that resists time. At the Los Angeles premiere of OPUS—A24’s latest cult thriller—Amber Midthunder arrived at The Egyptian Theatre on February 19, 2025, in a look that whispered old Hollywood but spoke fluent now.
Her dress, a two-toned Self-Portrait piece, fused a sleeveless black lace bodice with a crisp white mini skirt, cinched by a sculptural black bow. It was a silhouette that recalled 1960s cocktail glamour, but with the kind of clean geometry that feels unmistakably 2025. The lace—floral, sheer, and delicately gothic—offered texture against the stark simplicity of the skirt, creating a visual rhythm that was both romantic and razor-sharp. She styled the look with sheer black tights and pointed black heels, elongating the line and anchoring the ensemble in a kind of Parisian cool. No excess, no sparkle—just shape, contrast, and intent.
