Adria Arjona made a quiet, yet utterly unforgettable entrance at the “Splitsville” premiere, unveiling a dramatic and elusive look from the Loewe Fall 2025 collection.
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The thing about Jonathan Anderson, darling, is that he is always a few steps ahead. I remember back in the spring when his final collection for Loewe Fall 2025 was unveiled not on a runway, but on mannequins—a static, almost defiant presentation. It was a statement, of course, a challenge to the relentless pace of fashion. But it also left us all wondering how these sculptural, almost fantastical pieces would move. How they would live and breathe on a body.
Well, now we know. Adria Arjona gave us the answer, and she gave it beautifully. Stepping onto the red carpet in Los Angeles on August 19, 2025, for the “Splitsville” premiere, she unveiled a look from that very collection. And she did it with the ultimate tease: we only saw the back. Not a single photograph of the dress from the front has surfaced, which, to me, is a genius move.
This particular gown is a theatrical masterpiece in motion. The deep, plunging scoop of the back is framed by elegant, gathered sleeves that cascade down the length of the dress, creating a sculptural, almost cape-like effect that reveals her skin as if it were a work of art. Unlike a plunging neckline or a thigh-high slit that tells you everything at once, an exposed back carries a much quieter, more intriguing allure. It’s a detail that creates its own kind of magnetism, and Adria played that card perfectly.
Adria Arjona Looks
Her accessories were just as thoughtfully considered, a study in unforgettable elegance. Adria wore a sleek ballerina bun and complemented her look with an astonishing array of jewels from Tiffany & Co.. The star of the show was the iconic Jean Schlumberger Bird on a Rock pendant. She also wore Tiffany & Co. Schlumberger Flame Ear Clips, a Schlumberger Rope Six-Row x Ring, and a Tiffany T True band. Ah, the Bird on a Rock… a classic, non? But had it been reversed to cascade down her spine, given her choice to spotlight the back of the gown, it would have been a true stroke of genius. For her shoes, she chose the sophisticated Giuseppe Zanotti Raquel Pumps in black satin.
For those of us who have followed fashion for decades, it’s a refreshing sight. This isn’t just about showing skin, it’s about revealing a sense of confidence and an appreciation for a garment’s architectural beauty. It’s a statement, and on the red carpet, a moment like this is everything.
Adria’s unforgettable entrance proves that what’s behind you can often be just as impactful as what’s in front. For more unforgettable moments and a full history of iconic gowns, check out our red carpet archives.
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