Heidi Klum, a media personality and supermodel, reportedly wore a spectacular, billowing white gown at a Vivienne Westwood presentation during the 2025 Paris Fashion Week shows.
Supermodel Heidi Klum — a perennial fixture on the fashion circuit — embraced a theatrical, deconstructed romanticism for her appearance, reportedly during the Vivienne Westwood show at Paris Fashion Week 2025. The garment she opts for is a highly stylized, corseted creation that immediately commands attention and is a strong addition to her repertoire of celebrity style.
The visible upper half of the gown features a structured, corset-like bodice with intricate, shimmering embellishments that appear to be metallic thread work or light beadwork, giving it a textural, almost antique quality. This structure contrasts sharply with the enormous, cloud-like puffed sleeves, crafted from a sheer, delicate organza or tulle. These voluminous sleeves frame the silhouette dramatically before giving way to loose, sheer skirt panels of the same material, detailed with scattered white floral appliqué.
The styling leans into a raw, ethereal aesthetic. The skirt is intentionally deconstructed, with fabric panels leaving parts of the legs exposed and trailing, creating a light, airy movement. Klum accessorized with strappy, rustic-looking brown sandals, the contrast in material grounding the high-fashion ethereal quality of the gown. Her makeup is natural and sun-kissed, with a slightly undone, beachy wave to her blonde hair, ensuring all focus remains on the dramatic architecture of the garment.
The ensemble operates as a high-concept piece, effectively bridging the gap between historical underpinnings and contemporary avant-garde. The choice of a corseted bodice and excessive volume in the sleeves immediately references a Baroque or Rococo aesthetic, yet the exposed leg and sheer, deconstructed fabric modernizes the look, preventing it from reading as costume.
This type of theatrical, romantically punk tailoring is deeply aligned with the ethos of a brand like Vivienne Westwood, who frequently plays with notions of aristocratic dress, historical rebellion, and exposed structure. The dress is a masterful study in opposing forces: structured vs. sheer, heavy embroidery vs. light organza, and high-fashion fantasy vs. the naturalistic sandals. While the look is visually arresting and successful in its dramatic statement, its complexity and exposed fit make it less about wearability and more a testament to the couture craft—a perfectly executed piece of fashion performance art for the runway or the front row.
