Never one to fade into the background, Isabeli Fontana brought ethereal edge to Venice—her embroidered lavender gown felt like couture dipped in moonlight.
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There’s red carpet dressing—and then there’s Isabeli Fontana at the 82nd Venice Film Festival. At the premiere of After The Hunt, the Brazilian supermodel didn’t just wear a gown; she wore a mood. One that shimmered, whispered, and lingered long after the flashbulbs cooled.
Outfit Focus
Fontana’s floor-length gown was a masterclass in sheer seduction. Rendered in a delicate lavender hue, the fabric floated like mist—semi-transparent, yet intricately embroidered with silver and floral motifs that caught the light like dew. The silhouette was form-fitting, hugging her frame with precision before trailing into a soft, romantic train. Thin straps and a low neckline added a touch of sensuality, while the overall construction suggested hours of handwork—possibly Elie Saab or Zuhair Murad, though unconfirmed at press time. It was the kind of dress that doesn’t just photograph well—it haunts the lens.
Accessories Isabeli Fontana
Fontana layered gold bracelets and rings with a statement necklace that danced just above the neckline—warm metallics against cool-toned fabric, a contrast that felt intentional and editorial. Her choice of jewelry added a regal undertone, balancing the gown’s softness with a whisper of power.
In a season dominated by bold reds and sculptural blacks, Fontana’s lavender moment felt like a breath of fresh air. It nodded to the romanticism of early 2000s couture while embracing 2025’s obsession with transparency and texture. Among the many looks gracing the red carpet this year, hers stood out not for its volume, but for its restraint—and its poetry.
