Halsey Debuts Navy Lace at amfAR Gala Venice 2025

Never one to shy from a dramatic silhouette, Halsey fused dark, romantic glamour with a surprising touch of neo-burlesque in her attendance (and show-stopping look) at the amfAR Gala Venezia.

The singer arrived at the amfAR Gala Venezia at the historic Arsenale in Venice, Italy, wearing a stunning piece that felt both deeply personal and intensely theatrical. The evening light caught the intricate details of a Erikch4R Navy Lace and Hand Dyed Cotton Twill Steel Boned Corset Gown with Ostrich Feathers, a garment that told a story of gothic romance with a modern edge.

Halsey Debuts Navy Lace at amfAR Gala Venice 2025

The gown’s silhouette was a masterclass in form, cinching at the waist to emphasize an hourglass figure before flaring out into a dramatic, sweeping mermaid train. The delicate, almost web-like lace fabric was layered over a contrasting nude lining, creating a mesmerizing see-through effect that revealed and concealed in equal measure. A peek-a-boo detail at the back added an unexpected, alluring flash of skin, while the whisper-soft ostrich feathers trailing from the hips introduced a dynamic, textural contrast to the structured corset.

Halsey Debuts Navy Lace at amfAR Gala Venice 2025

To complement the dramatic look, Halsey accessorized with a striking diamond choker and a matching tennis bracelet, the cool sparkle of the jewels providing a stark yet beautiful counterpoint to the deep navy of the dress. Her pose was confident, with hands on hips, projecting a fierce and unyielding attitude that perfectly matched the commanding presence of the gown.

Maeta arrives at BMI Awards in Los Angeles

One to watch on the red carpet, Maeta arrives at the BMI R&B/Hip-Hop Awards in Los Angeles with a shimmering, see-through dress that blurs the lines between eveningwear and artful exposure.

The BMI Awards are often a showcase for sharp, celebratory style, but Maeta’s look this year feels less about celebration and more like a quiet statement. She attends the 2025 BMI R&B/Hip-Hop Awards in an ensemble that is both simple in form and complex in texture. The floor-length, high-neck gown clings to her figure like liquid metal. Its fabric—a fine-gauge knit—is shot through with silver threads, giving it a wet, almost slick sheen that catches the light like a spiders web. This unique texture makes the dress appear to be in constant motion.

Maeta arrives at the BMI Awards in Los Angeles

The silhouette is classic and column-like, a minimalist canvas for the fabric’s dramatic effect. With a high neckline and a sleeveless cut, the gown’s simplicity puts all the focus on its sheer, shimmering quality. A closer look reveals a dark undergarment, which serves as a deliberate contrast, anchoring the ethereal top layer. This choice makes the outfit feel both daring and deliberate, a masterclass in controlled transparency.

Sara Garcia Debuts Oceanic Whimsy in Coastal Bikini

Sara Garcia traded red carpet drama for shoreline serenity—her blue bikini moment, caught mid-tide, felt like a postcard from fashion’s softer side.

There’s something quietly radical about choosing nature over noise—and Sara Garcia’s latest appearance proves that fashion doesn’t always need a velvet rope or flashbulbs to make a statement. Caught in a candid moment along a rocky shoreline, Garcia’s look was less curated spectacle, more elemental elegance.

Garcia wore a blue patterned bikini that played beautifully against the ocean’s palette—think cerulean meets salt-washed stone. The fabric, likely a quick-dry blend, shimmered subtly under the sun, with a print that echoed Mediterranean tilework or perhaps a nod to vintage surfwear. The cut was classic: a triangle top with adjustable straps and low-rise bottoms, flattering without veering into overt minimalism. It’s beachwear with a point of view—functional, yes, but also quietly expressive.

Sara Garcia Debuts Oceanic Whimsy in Coastal Bikini Moment

In a sea of curated content, Sara Garcia’s shoreline moment reminds us that celebrity photos don’t need red carpets or couture to resonate—they just need truth, texture, and a little bit of tide.

Rosie Huntington-Whiteley’s Heavenly Moment in Armani Privé

Rosie Huntington-Whiteley mesmerizes on the “Frankenstein” red carpet at the 82nd Venice International Film Festival, August 30, 2025, in a feathered Armani Privé custom couture gown and a dazzling suite of Tiffany & Co. diamond jewelry—defining red carpet glamour and celebrity style at its zenith.

In the gilded interiors of the Venice Lido, amidst a sea of black-tie glamour and photographers’ relentless flashes, there occasionally emerges a look so precisely pitched that it not only dominates the red carpet—it defines the very spirit of the evening. August 30, 2025, at the “Frankenstein” premiere for the 82nd Venice International Film Festival, belonged to Rosie Huntington-Whiteley—and to an extraordinary vision of fashion that fuses old-world craftsmanship with celestial modernity.

Rosie’s Armani Privé Spring 2024 custom dress is nothing short of an haute couture masterstroke. Let’s talk form and fabric. The one-shoulder asymmetry is classic Armani, reborn: the bodice is a dazzling latticework of hand-beaded crystals, catching light with every angle—creating an interplay of shimmer and shadow that’s nothing less than mesmerizing. Draped across her right shoulder, the feathered accent feels almost ethereal, as if Rosie’s about to ascend rather than merely walk the red carpet. These snowy plumes add drama and movement, their fine texture contrasting the sculpted, smooth, white floor-length satin skirt that glides effortlessly to the ground. The choreography of satin and sparkle, softness and structure, is pure Italian savoir faire.

Rosie Huntington-Whiteley’s Heavenly Moment in Armani Privé

Her confident stance—hand at her hip, eyes serenely direct—signals a woman in full command of the red carpet. The entire ensemble breathes both classic glamour and contemporary boldness, echoing iconic moments from Giorgio Armani’s archives while announcing a new era for celebrity style.

Accessories, darling, are the difference between a look and a legacy. Rosie’s choice is editorial perfection: each piece from Tiffany & Co. becomes a character in an ephemeral Venetian opera. Two statement rings, including the Wings Ring and a cushion-cut diamond showstopper, glitter alongside cluster diamond earrings and the Marquise Diamond Cluster Bracelet. The pieces aren’t simply dazzling; they riff elegantly with the gown’s beading, creating a symphony of light. The commitment to monochrome—silver and white, crystals and diamonds—feels distinctly European, with a nod to Italian maximalism and that restraint we only ever see from those with true taste.

Her hair, elegantly loose in golden waves, is a study in soft contrast—refined, but never overdone. Makeup is classically sculpted yet glowing, eyes defined without heaviness, lips the faintest blush of rose—allowing the ensemble and jewels to claim the drama.

Rose Villain Attends La Grazia Premiere at Venice

Rose Villain brought cyber-punk couture to the Lido—her metallic gown, blue mohawk, and gold chain felt like a glam-rock opera staged on the red carpet.

Rose Villain doesn’t walk red carpets—she detonates them. At the La Grazia premiere during the 82nd Venice International Film Festival, Villain arrived in a look that felt more like a manifesto than a mere outfit. It was part sci-fi siren, part glam-rock priestess, and entirely unforgettable.

Rose Villain Attends La Grazia Premiere at Venice

Her structured off-the-shoulder gown shimmered in a palette of dark and light metallic tones, catching the light like a blade. The fabric—possibly a lamé or foil-treated silk—had a liquid armor quality, rippling with every movement. The silhouette was sculptural, cinched at the waist and flaring subtly at the hem, with long matching gloves that extended the drama. It was a study in contrasts: futuristic yet regal, severe yet seductive.

Villain anchored the look with a chunky gold chain necklace—bold, unapologetic, and slightly anarchic. No earrings, no clutch, no distractions. The necklace was the punctuation mark on an already declarative ensemble. Her pose was deliberate, almost statuesque, with a gaze that dared the cameras to blink first.

Rose Villain Attends La Grazia Premiere at Venice

Rose Villain’s appearance at Venice proves that red carpet fashion doesn’t have to play nice—it can play loud, play weird, and still win.

Mia Goth stepped onto the red carpet at the Frankenstein premiere

At the Frankenstein premiere during the 82nd Venice International Film Festival on August 30, 2025, Mia Goth stunned in a custom Dior gown that redefined red carpet drama—pairing sculptural silk with vintage-inspired Tiffany & Co. jewels for a look that was equal parts modern muse and gothic queen.

The first time I saw a silhouette like this—draped, architectural, yet so intimately human—I knew we were witnessing something rare. Not just another red carpet moment, but a statement. And when Mia Goth stepped onto the red carpet at the Frankenstein premiere during the 82nd Venice International Film Festival on August 30, 2025, she didn’t just wear fashion—she became it.

Mia Goth stepped onto the red carpet at the Frankenstein premiere

There’s a quiet power in simplicity. But when simplicity is elevated by craftsmanship, heritage, and an unshakable sense of self, it becomes mythic. That’s exactly what happened here. In a sea of over-the-top gowns and metallic spectacle, Mia chose restraint—yet delivered one of the most visually arresting looks of the entire festival.

Let’s talk about the details—because in haute couture, every fold tells a story.

The dress—a custom Dior creation—was not merely worn; it was performed. Crafted from a lustrous, deep chocolate-brown silk satin, its texture shimmered under the Venetian sun, catching light like liquid obsidian. The cut? A minimalist slip silhouette, but with a twist: a cascading drape that began at the waist and flowed into a dramatic train, creating a visual echo of movement even when still.

Mia Goth stepped onto the red carpet at the Frankenstein premiere

This wasn’t just a dress—it was a study in controlled tension. The fabric gathered tightly around her torso, emphasizing her frame with precision, then released into fluid folds that trailed behind her like a shadow. The V-neckline was deep enough to be daring, yet framed perfectly by the clean lines of the straps—no excess, no frills. It was haute couture as architecture.

And the color? That specific shade of brown—rich, warm, almost earthy—wasn’t just chosen for contrast against the red carpet. It evoked the moody palette of 19th-century gothic literature, a nod to the film’s themes, while simultaneously feeling fresh, modern, and deeply personal.

But the real genius lay in the accessories—each piece a deliberate choice, rooted in legacy.

She wore Aquazzura So Nude Sandals in Brown, a subtle yet striking match to the gown. The thin straps and stiletto heels elongated her legs without overpowering the look. They weren’t flashy, but they belonged, grounding the ethereal with a touch of grounded elegance.

Renee Olstead Unveils at MAXIM Hot 100 30th Anniversary

A masterclass in modern seduction—Renee Olstead’s lace-and-leather moment at the MAXIM Hot 100 party was all about confidence, curve, and a dash of old Hollywood rebellion.

Renee Olstead didn’t just walk the red carpet at the MAXIM Hot 100: 30th Anniversary party—she owned it. The actress and singer, known for her roles in The Secret Life of the American Teenager and Still Standing, brought a bold, noir-inspired glamour to Eden Sunset in Los Angeles on August 29, 2025. Her look was a study in contrasts: delicate lace met sharp tailoring, and classic Hollywood waves clashed with a fearless, contemporary attitude. This wasn’t just another celebrity appearance; it was a statement.

Renee Olstead Unveils Noir Glamour at MAXIM Hot 100 30th Anniversary

Olstead’s ensemble was a striking fusion of sensuality and sophistication. She wore a black lace bodysuit, its intricate floral patterns peeking through a sheer overlay, paired with a cropped black blazer that added structure and edge. The bodysuit’s deep neckline and high slits teased just enough, while the blazer—slightly oversized—lent an air of effortless cool. The silhouette was all about balance: the fitted lace hugged her curves, while the blazer’s boxy cut provided a modern counterpoint.

Renee Olstead Unveils Noir Glamour at MAXIM Hot 100 30th Anniversary

Minimal but impactful. Strappy black heels elongated her legs, and delicate jewelry—a thin necklace and a single ring—kept the focus on the outfit’s architectural details. No bag, no fuss—just pure, unadulterated style.

So, is this the new blueprint for red carpet noir? If Olstead’s MAXIM moment is any indication, the answer is a resounding yes. For more iconic celebrity style, explore the latest in celebrity fashion.

Shailene Woodley dazzled at the Motor City premiere

Shailene Woodley dazzled at the Motor City premiere during the 82nd Venice International Film Festival on August 30, 2025, wearing a showstopping Fendi Resort 2026 sequin gown paired with Bvlgari Serpenti jewelry and Roger Vivier sandals—see how she mastered red carpet glamour.

Venice’s red carpets are synonymous with cinematic drama and sartorial spectacle, and Shailene Woodley’s arrival at the Motor City premiere during the 82nd Venice International Film Festival on August 30, 2025, did not disappoint. Clad in a Fendi Resort 2026 sequin gown that shimmered like starlight against the Lido’s twilight sky, she embodied the festival’s blend of old-world glamour and modern edge—a balance only a designer like Kim Jones, Fendi’s creative director, could master.

The gown itself is a study in sequined opulence. Crafted from a stretch-jersey base layered with iridescent sequins in shades of midnight black, fuchsia pink, and electric blue, it hugs Woodley’s frame before cascading into a floor-length skirt with a daring thigh-high slit. The halter neckline and plunging V-neckline add a touch of retro Hollywood allure, reminiscent of icons like Sophia Loren, while the fluid silhouette ensures movement—perfect for navigating the red carpet’s cameras and crowds.

Shailene Woodley dazzled at the Motor City premiere

What elevates this piece beyond mere “red carpet attire” is its craftsmanship: the sequins are hand-placed to catch light from every angle, creating a holographic effect that shifts with each step. Fendi’s Resort 2026 collection, unveiled earlier this year in Capri, leans into “glamour with a conscience”—using sustainable sequins and ethically sourced fabrics—and Woodley’s choice here proves that eco-luxury can still command attention.

Woodley kept accessories minimal but impactful, letting the dress take center stage. Her Bvlgari Serpenti Tubogas jewelry set—a bracelet and necklace crafted from 18k white gold with diamond accents—added a touch of timeless luxury. The serpent motif, a hallmark of Bvlgari’s legacy dating back to the 1940s, wrapped around her wrist and neck with understated elegance, complementing the gown’s bold sequins without overwhelming them.

On her feet, she chose Roger Vivier’s Epine sandals—sleek, strappy leather heels with a minimalist design that elevated the look while maintaining comfort for hours of posing. The thin straps and low heel (a departure from the towering platforms often seen on red carpets) added a modern, approachable edge, proving that glamour doesn’t require sacrifice.

Shailene Woodley’s Motor City premiere look is more than just a pretty dress—it’s a masterclass in red carpet strategy. By blending Fendi’s opulent craftsmanship with Bvlgari’s timeless elegance, she proved that glamour doesn’t have to be loud to be heard. And in a city where style is sacred, that’s the kind of statement that resonates.

Emilia Jones lit up the red carpet in Venice

Actress Emilia Jones takes on the Venice Film Festival red carpet with a hauntingly beautiful, gothic-inspired look for the Armani/Archivio presentation.

The Venice Film Festival is a canvas for cinematic glamour, and Emilia Jones’s recent appearance was a masterclass in mood and texture. Her ensemble, a daring black dress, felt less like a traditional gown and more like a work of art—a fusion of fragility and fierce elegance.

The dress itself is a gothic dream. It features a daring midriff cutout and a bandeau-style top that connects to a full, tiered skirt. The fabric is a delicate black tulle, sheer and ethereal, which reveals glimpses of her figure beneath. What truly elevates the dress is the intricate, all-over floral embroidery and appliqué, which gives it a rich, textural quality. These details—almost like dark vines creeping across a web of shadow—lend the look a sophisticated, almost fantastical feel.

Emilia Jones lit up the red carpet in Venice

Jones opted for minimal accessories to let the dress command full attention. She wore a dainty silver necklace with a small pendant and what appears to be a bracelet. Her shoes—black, pointy-toed Giorgio Armani Patent Leather Slingbacks—peep out from beneath the long skirt, offering a clean, sharp finish to the fluid silhouette. A matching Cartier Love Bracelet on her left wrist adds a touch of subtle luxury.

Her hair is styled in a simple, straight bob with a natural-looking side part. It frames her face and adds a modern, slightly disheveled feel that contrasts with the old-world intricacy of the dress. Her makeup is clean and fresh, with a defined eye and a subtle nude lip, which keeps the focus on her intense gaze and the dramatic gown. The overall mood is one of quiet power and romantic melancholy, a perfect fit for a Venetian night.

Jones’s look at the Armani/Archivio presentation is a refreshing departure from the conventional red carpet. It’s a bold choice that speaks to her willingness to experiment with style and narrative. She proves that the best looks are those that tell a story, and this one whispers of dark fairy tales and late-night rendezvous. To see more of her and other stars, check out all the latest celebrity photos.

Sofia Carson debuts in nude gown at “Frankenstein” premiere

Sofia Carson leaned into ethereal drama—her sheer, crystal-dusted gown whispering old Hollywood with a modern chill—at Venice’s most cinematic red carpet of the season.

There’s a moment every season when a red carpet look doesn’t just land—it lingers. At the 82nd Venice International Film Festival, Sofia Carson delivered one such moment during the premiere of Frankenstein, stepping onto the Lido in a gown that felt like a ghost of glamour past, reinterpreted for the present.

Sofia Carson debuts in nude gown at Venice "Frankenstein" premiere

The dress, a floor-length nude illusion piece with long sleeves and a high neckline, was a study in restraint and radiance. Its sheer overlay, delicately embroidered with evenly spaced embellishments, caught the light like dew on silk. The silhouette was classic—fitted through the bodice, then gently flaring into a soft skirt that moved with cinematic grace. Though the designer remains unconfirmed at press time, the craftsmanship spoke to couture-level precision.

Accessories were minimal, almost reverent. No visible jewelry competed with the texture of the gown, allowing the fabric’s quiet shimmer to take center stage. Her shoes were hidden beneath the hem, but the overall styling suggested a preference for tonal harmony over contrast.