Sabrina Carpenter Debuts Playful Prep for Album Celebration

Sabrina Carpenter’s Los Angeles celebration was a masterclass in modern schoolgirl chic, fusing a classic silhouette with a playful, high-fashion twist that’s destined to define a new moment in celebrity fashion.

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The schoolgirl uniform as a fashion statement is hardly a new concept—it’s a trope that has been endlessly reinterpreted, from the demure innocence of the 1950s to the rebellious edge of punk. But at her album release party in Los Angeles on August 29, 2025, Sabrina Carpenter gave the trend a fresh, witty, and frankly, unforgettable spin. It wasn’t a throwback; it was a clever subversion of a classic, proving that the most impactful looks are often those that don’t take themselves too seriously.

Sabrina Carpenter Debuts Playful Prep for Album Celebration

This is the kind of celebrity fashion that signals a shift in the air, a movement away from the overt theatricality of the red carpet toward something more personal and narrative-driven. It’s a look that feels both effortless and meticulously thought out, a delicate balance that is so difficult to master.

The foundation of the look is a sheer, slightly oversized white blouse, its fabric so light it almost floats. Paired with this is a dark, pleated mini skirt that offers a sharp, tailored contrast. But the genius of the ensemble lies in its details, starting with the Thom Browne Hector-Motif Tights. Thom Browne, the American master of sartorial eccentricity, is famous for his playful preppy aesthetic, and these tights—emblazoned with his signature dachshund, Hector—are a perfect example. They transform what could be a generic look into a quirky, deeply personal statement. The high platform heels add a dose of pop-star glamour, their chunky silhouette giving the entire outfit an audacious, slightly defiant attitude. And of course, the tiny tie adds the perfect finishing touch.

Amanda Seyfried Debuts Pink Power Suit in Venice

Unveiling a new take on power dressing, Amanda Seyfried opts for soft pink suiting and comfy sneakers while arriving in Venice for the film festival—a masterclass in effortless glamour.

As the Venice International Film Festival kicks into high gear, the usual parade of theatrical gowns and dramatic silhouettes is always a given. But this year, it seems the celebrity fashion narrative is taking a refreshing turn toward something more relaxed, yet no less impactful. Case in point: Amanda Seyfried’s arrival in a look that’s both perfectly tailored and casually chic.

Amanda Seyfried Debuts Pink Power Suit in Venice

Seyfried’s ensemble is anchored by a structured, double-breasted blazer in a soft, dusty rose shade. The blazer features strong, pronounced shoulders that create a sharp silhouette, contrasting with the soft pastel color. Beneath it, she wears a ribbed knit set—a cropped camisole and matching shorts—that perfectly complements the blazer’s hue and adds a touch of subtle texture. The shorts, a playful alternative to trousers, give the look a modern, youthful edge.

The real genius lies in the footwear. Rather than heels, she grounds the outfit with a pair of simple, white lace-up sneakers, a choice that instantly elevates the ensemble from a typical “suit” into a piece of contemporary street style. She accessorizes with sleek, brown cat-eye sunglasses by Max Mara and a chic black Givenchy Lucrezia Travel Bag, which adds a polished contrast to the look’s softer elements.

The entire look is a study in controlled contradiction. The blazer’s formal structure and the shorts’ casual vibe; the soft pink tones and the crisp white sneakers. Her hair is kept simple and natural, flowing in loose, beachy waves that feel right at home on the canals of Venice. Her makeup is minimal, with a natural lip color and a fresh complexion, emphasizing an attitude of approachable confidence. It’s a look that says, “I’m here to work, but I’m doing it on my own terms.”

The result? A look that feels both aspirational and entirely achievable. It’s a powerful statement that you don’t need to sacrifice comfort for style, even on one of the world’s most glamorous stages.

Shailene Woodley looks stunning in Motor City

Wrapped in white and wielding quiet power, Shailene Woodley brought cinematic softness—and a touch of diva mystique—to the Venice Film Festival’s Motor City photocall.

There’s a kind of glamour that doesn’t need sequins or sparkle—it simply arrives, swathed in texture and intent. At the “Motor City” photocall during the 82nd Venice International Film Festival on August 30, 2025, Shailene Woodley embodied that ethos with a look that felt both archival and futuristic. It was a moment of fashion restraint wrapped in theatrical volume.

Shailene Woodley looks stunning in Motor City photoshoot

Woodley wore a voluminous white faux fur coat layered over a flowing white dress with draped fabric that moved like smoke. The coat’s texture—thick, plush, and unapologetically oversized—added drama without veering into costume. The dress underneath was soft and sculptural, with a Grecian silhouette that skimmed the body and pooled gently at the hem. The monochrome palette amplified the impact, allowing the interplay of textures to take center stage. It was Celine Spring 2026, reimagined for a woman who doesn’t whisper when she walks.

The accessories were minimal but deliberate. Pointed-toe heels with a textured surface—possibly strass or embellished lambskin—peeked out from beneath the hem, adding a flash of edge to the otherwise ethereal ensemble. Woodley’s jewelry came courtesy of Bvlgari: the B.Zero1 ring stacked with Serpenti Viper pieces, and matching earrings that glinted like ice against the fur. The synergy between accessories and outfit was tight, but not over-styled—each piece felt like punctuation, not decoration.

Viktoria Apanasenko redefines resort wear

A vision of summer nonchalance, Viktoria Apanasenko redefines resort wear with an unexpected (and utterly captivating) fusion of high fashion and effortless cool.

In a striking photoshoot captured against the backdrop of a yacht, Viktoria Apanasenko presents a look that feels both aspirational and intimately personal. The outfit is a masterclass in modern styling, built on a foundation of contrasting textures. She wears a light-wash denim—a classic five-pocket jean—that is unzipped and casually pulled down to reveal a white, high-cut bikini bottom. The denim, with its relaxed fit and subtle creases, grounds the look in a tangible, lived-in feel, while the barely-there bottoms add a layer of daring sensuality.

This play of street-style sensibility and high-fashion elegance continues with the top, a silky scarf worn as a bandeau. The fabric, with its delicate, almost iridescent sheen and soft blue and white pattern, is twisted artfully at the center, creating a soft, voluminous knot that draws the eye upward. A delicate body chain of small, lustrous pearls cascades from her belly button, a small, yet impactful detail that introduces a touch of vintage glamour. Her accessories are minimal, allowing the outfit to speak for itself; a simple belly ring and the pearl chain are the only jewelry.

The best red carpet looks from the 2025 Venice Film Festival

The 82nd Venice International Film Festival has officially opened its doors, transforming the Lido into a glittering stage where cinema and couture come together.

From August 27 to September 6, the annual celebration promises not only the unveiling of some of the year’s most anticipated films but also one of the most captivating red carpets in the fashion calendar. Throughout its many decades of existence, Venice has remained a global arena where creatives converge to celebrate the incredible productions as they await global release.

62152 — Alba Rohrwacher at The 82nd Venice International Film Festival on Aug. 28, 2025 in Venice, Italy.

62151 — Priya Jain at the “Bugonia” red carpet at The 82nd Venice International Film Festival on Aug. 28, 2025 in Venice, Italy.

62148 — Loredana Salanta at The 82nd Venice International Film Festival on Aug. 28, 2025 in Venice, Italy.

62147 — Eve Hewson at The 82nd Venice International Film Festival on Aug. 28, 2025 in Venice, Italy.

62143 — Greta Gerwig, left, and Noah Baumbach at The 82nd Venice International Film Festival on Aug. 28, 2025 in Venice, Italy.

62142 — Benedetta Porcaroli at the “Jay Kelly” red carpet at The 82nd Venice International Film Festival on Aug. 28, 2025 in Venice, Italy.

62127 — Naomi Watts in Valentino and Aquazzura attends the “Jay Kelly” red carpet during the 82nd Venice International Film Festival on August 28, 2025

Organised by La Biennale di Venezia, this year’s programme is rich with premieres, from Paolo Sorrentino’s La Grazia to forthcoming debuts from Noah Baumbach, Yorgos Lanthimos, Luca Guadagnino, Guillermo del Toro, and Sofia Coppola.

Yet, before the lights dim in the theatres, all eyes are on the arrivals.

62128 — Laura Dern in Armani Privé attends the “Jay Kelly” red carpet during the 82nd Venice International Film Festival on August 28, 2025

Venice red carpet fashion is a language of its own—timeless, theatrical, often daring. From Cate Blanchett in a shimmering archival Armani Privé gown to Emma Stone in an architecturally striking custom Louis Vuitton gown, ahead, we round up the most memorable looks to grace the festival’s opening nights.

See All Celebrity Outfits From The 82nd Venice International Film Festival

Cate Blanchett

62125 — Cate Blanchett dipped into her own closet for the opening of the 2025 Venice Film Festival.

All Cate Blanchett needs to prep for the 2025 Venice Film Festival red carpet is a lap through her own closet. She kicked off the annual event in an Armani Privé gown she debuted in 2022. Three years later, its plunge, gemstone-embellished neckline and pockets looked good as new.

Tilda Swinton

62120 — Tilda Swinton attended the Venice Film Festival opening ceremony on August 27.

I’m a sucker for a white top tucked into a black ballgown skirt. It works every time, whether it’s Anne Hathaway in Carolina Herrera for the Met Gala or Tilda Swinton in this custom Chanel look for the 2025 Venice Film Festival. It’s crisp and clean, but it still has a touch of whimsy: See the little bows wrapped around her trumpet sleeves for proof.

Alicia Silverstone

62121 — Alicia Silverstone also attended Bugonia’s August 28 premiere.

Thought you’d seen how far a white shirt dress can go? Think again. Alicia Silverstone gave the all-time classic a breezy update for the Venice Film Festival by way of Prada, complete with a flowing shoulder scarf and a stately chiffon skirt.

Emma Stone

62118 — Emma Stone arrived at the premiere of Bugonia in a shimmering gown.

Before Emma Stone stepped foot onto the Venice Film Festival red carpet, I knew she and stylist Petra Flannery would source Louis Vuitton for her look. They’ve been loyal to the house since 2017, when Stone signed on as an ambassador. She’s tried all sorts of new directions in the past eight years, ranging from mermaid pailette gowns at the Oscars to popcorn-adorned dresses for the SNL50 special. Back at Venice, she went in a demure direction. Her silver, dress gathered in a bubble hem before cascading into a flowing skirt, all coated in sequins that reflected like starlight. What a way to start the circuit.

Shailene Woodley

62117 — Shailene Woodley switched up the red carpet formula in a mini dress.

I first looked at Shailene Woodley’s mini dress for the Jay Kelly premiere and thought her Big Little Lies sisterhood with Zoë Kravitz ran deep. The scoop-neck silhouette and ruched fabric feels like the gothic twin to Kravitz’s Barbie-pink mini dress for a recent red carpet back in New York City. On a second glance, I was even more enamored with Woodley’s serpentine diamond choker by Bulgari and the inherently edgy vibe of a mini dress on a major red carpet.

Amal Clooney

62104 — Amal Clooney and George Clooney walked hand-in-hand at the 2025 Venice Film Festival.

Amal Clooney, the queen of the Venice Film Festival herself, graced the August 28 Jay Kelly red carpet in a regal high-low gown. Clooney famously self-styles her looks with an array of vintage pieces, and this was no exception: Here, she sourced a Jean-Louis Scherrer piece from the Fall 1995 collection. Golden Aquazzura heels and a matching minaudière brightly contrasted her fuchsia taffeta dress and Harry Winston diamonds. It’s a little retro compared to Clooney’s usual red carpet looks—but even as she samples different decades, she still stays true to her rich girl blowout.

Riley Keough

62115 — Riley Keough brought boho-chic energy to the 2025 Venice Film Festival.

Riley Keough and stylist Jamie Mizrahi sampled one of 2025 buzziest runways for the actress’s Venice Film Festival arrival. Chloé, the birthplace of this year’s boho-chic renaissance, supplied her ruffled-all-over crop top and slightly sheer maxi skirt. The look met the night’s formal dress code—her diamond necklace guaranteed it—but it also felt like a breath of fresh air.

Monica Barbaro

62114 — Monica Barbaro arrived at the After the Hunt premiere in a pleated Dior gown.

Monica Barbaro has been a Dior girl for months now, wearing everything from a fiery red gown at the 2025 SAG Awards to a princess-like pink confection at the Oscars. She showed the house’s range—and perhaps a sneak-peek at Jonathan Anderson’s debut as womenswear creative director in Paris next month—in her high-neck, pleated gown for After the Fall’s August 29 premiere.

Ayo Edebiri

62110 — Ayo Edebiri showed Chanel’s new side on the After the Fall red carpet.

Ayo Edebiri and stylist Danielle Goldberg scored an all-access pass to Chanel’s next chapter for their trip to the Venice Film Festival. Incoming creative director Matthieu Blazy won’t reveal his first collection until October, but Edebiri’s red carpet gown is dropping plenty of hints. The direction? Modern yet elegant, as proven by her strapless red gown with a puffy layered overskirt and buttons along the bodice.

Chloë Sevigny

62111 — Chloë Sevigny pushed the red carpet envelope at the After the Hunt premiere.

The ultimate fashion girl has arrived in Venice. Chloë Sevigny changed out of her press conference Simone Rocha look into a Saint Laurent gothic confection, featuring a lace long-sleeve bodysuit underneath a structured black ballon skirt. It’s not as safe as a standard gown—and that’s exactly why I love it.

Julia Roberts

62112 — Julia Roberts tapped Versace for her Venice Film Festival gown.

In another nod to fashion’s changing guard, Julia Roberts and stylist Elizabeth Stewart tapped Versace’s incoming creative director, Dario Vitale, for one of his first red carpet looks. The harlequin diamond print winding around her dress is a clever reference to the Renaissance-era tiles and architecture defining Venice.

Why did Sunny Leone lose her 4 daughters’ fetuses?

Sunny Leone was disheartened when she lost four out of six embryos and got emotional support from her husband.

Sunny Leone has been open and candid about her journey to motherhood. Along with her husband, Daniel Weber, Sunny Leone is a proud mother of three beautiful children: daughter Nisha Kaur Weber and twin boys, Asher and Noah. While Sunny adopted Nisha, she had her twins via surrogacy. She recently appeared on Soha Ali Khan’s podcast and opened up about the IVF and surrogacy process that she went through.

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Sunny Leone said, “There wasn’t really a plan, but the original plan was having one through surrogacy, and then in a few years, we wanted to follow our careers. At that moment, it wasn’t good timing, but it was good timing in our hearts. It was good timing to share our life with somebody, just not physically coming through me.”

She continued, “So, we thought of looking into it and trying it. We harvested my eggs, and we made these six beautiful embryos out of them… We had four girls and two boys. We always thought about having a girl first. That didn’t work out; four girls went. Then, we switched doctors, and the two embryos that are two boys are with me.”

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“In that time, we had also applied for adoption because the process of going through IVF and surrogacy is disheartening when things don’t go your way. It can also become a very lengthy process. I got to know within a week that four of them aren’t going to survive,” she revealed.

Sunny added, “Daniel and I were there for each other for emotional support. We didn’t tell anybody. We wanted to figure this out on our own first. He is pretty supportive, and we had the same feelings towards having a child.”

“Our surrogate had high HCG levels, but the sack was empty. The problem with IVF is that the second that embryo goes in, you are pregnant psychologically. You are planning a baby room, and so many different things go through your mind. Then all of a sudden, it’s not there, the sack is empty. This happened twice with the same doctor. He wasn’t very nice, so we decided to switch,” she said.

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Sunny Leone’s Marriage, Kids

Sunny Leone and Daniel Weber married in 2011. The couple first made headlines in 2017 when they adopted Nisha from Latur, Maharashtra, through an Indian adoption agency. In March 2018, Sunny and Daniel surprised fans again by announcing the birth of their twin boys, Noah and Asher, born via surrogacy.

Sunny has been praised for her openness about her motherhood journey, breaking taboos surrounding both adoption and surrogacy in Indian society. She has shared glimpses of her life as a hands-on mother on social media, balancing her professional life with parenting responsibilities.

Claire Holt turned the Venice Film Festival into a masterclass

With satin drama and diamond precision, Claire Holt turned the Venice Film Festival into a masterclass in modern elegance—think Old Hollywood, but with sharper edges.

There’s something about Venice that demands reverence—and Claire Holt delivered it in spades at the 82nd Venice International Film Festival on August 27, 2025. As she stepped onto the “La Grazia” red carpet, she didn’t just arrive—she glided. Her look was cinematic, sculptural, and quietly commanding. It was the kind of entrance that makes photographers pause mid-shutter.

Heidi Klum Arrives in Bold Gucci Color at Venice Film Festival 2025

Heidi Klum steps onto the red carpet at the Venice Film Festival in a custom Intimissimi gown. Her look was a risky choice that leaned heavily into the brands lingerie roots, but did it pay off? Heidi Klum The Problem With Per…

Holt wore a deep burgundy gown that fused satin fluidity with lace architecture. The bodice—sheer, delicately embroidered, and framed by thin straps—offered a romantic counterpoint to the sleek, floor-length skirt. The fabric caught the light like a polished gemstone, shifting between wine and garnet depending on the angle. The silhouette was fitted but not restrictive, allowing movement while maintaining drama. It was a dress that didn’t need embellishment—it was the embellishment.

Claire Holt turned the Venice Film Festival into a masterclass

The styling was restrained but razor-sharp. A diamond necklace with a prominent central stone anchored the neckline, adding a flash of icy contrast to the warmth of the gown. No earrings, no clutch—just one statement piece and the confidence to let it breathe. The synergy between gown and jewelry was textbook red carpet minimalism: one hero, no distractions.

For more moments where stars turn restraint into radiance, explore our archive of celebrity photos.

Emma Myers Unveils Urban Chic at “Wednesday” Graveyard Gala

Emma Myers attends Netflix’s goth-tinged celebration in an unexpected denim ensemble, redefining what it means to be a modern celebrity fashion icon.

Amid a sea of gothic gowns and dark, theatrical looks at the Netflix and Spotify Graveyard Gala in New York City, Emma Myers arrived with a refreshing, almost defiant, sense of urban cool. It was a stylish act of rebellion—one that proved her fashion sensibility is as sharp and distinct as her on-screen presence.

Emma Myers Unveils Urban Chic at “Wednesday” Graveyard Gala

The ensemble, a two-piece from Louis Vuitton, is a masterclass in elevating a casual fabric. Myers wore a deep indigo denim jacket with a structured, boxy cut that feels both vintage and contemporary.

The jacket is paired with matching high-waisted denim trousers, creating a monochromatic silhouette that is effortlessly streamlined. The denim itself appears to have a subtle texture, catching the light and giving the classic material a new dimension. This isn’t your average off-the-rack denim; it’s a tailored, architectural statement that perfectly aligns with the luxury brand’s aesthetic.

Jenna Ortega Understands Fashion Better Than Anyone?

Jenna Ortega redefines gothic glam at the Wednesday Graveyard Gala, wearing a custom Gap Studio by Zac Posen gown that perfectly blends deconstructed cool with red carpet theatrics. Discover why her character-driven approach to celebrity fashion continues to captivate.

The first time I witnessed an actress so completely embody a role through her red carpet choices, it was a subtle nod, a whisper of character. Now, with Jenna Ortega, Hollywood’s quiet appreciation for thematic dressing has found its undeniable muse. Her latest appearance at the Netflix and Spotify-hosted Wednesday Graveyard Gala on August 28, 2025, in New York City, was not merely an outfit; it was a statement, a performance, and a masterclass in committed celebrity style.

Jenna Ortega Understands Fashion Better Than Anyone?

Just when the fashion world collectively sighed, believing Jenna Ortega’s Wednesday Season 2 press tour had elegantly concluded, she emerged once more—not as a fleeting trend, but as a style specter, haunting our feeds with an exquisite, darkly romantic vision. This wasn’t a mere celebrity appearance; it was a curated moment, a testament to her unique position as an arbiter of modern gothic chic.

“Ortega understands the assignment better than anyone in Hollywood right now,” quipped a renowned fashion critic, over a coffee at a recent Paris Fashion Week show, “She isn’t just wearing clothes; she’s extending the narrative, inviting us further into the character’s universe. It’s rare, it’s refreshing, and frankly, it’s what separates true style icons from mere clotheshorses.” And frankly, darling, I couldn’t agree more.

Jenna Ortega Outfit Focus: Deconstructed Elegance with a Goth Edge

Jenna’s custom Gap Studio by Zac Posen creation was a marvel of contrasts. The dress, a charcoal grey, appeared as a beautifully distressed, washed T-shirt gown, exuding an almost relic-like quality. The fabric’s texture—a faded, almost bleached effect—lent it an ancient, worn-in feel, perfectly aligning with the “graveyard” theme without resorting to overt costume.

The silhouette was long and flowing, with subtle rips and tears throughout the skirt, creating an ethereal, almost spectral movement. The bodice featured a knotted detail at the bust, adding an unexpected softness to the otherwise edgy design, and delicate straps. The overall impression was one of deconstructed sophistication—a gown that looked as though it had gracefully weathered time, much like a beloved vintage piece one might stumble upon in a forgotten Roman atelier.

Jenna Ortega Steals the Spotlight at Wednesday Premiere

The star of Netflix's 'Wednesday' knew just how to work it for the cameras at the season 2 premiere. Jenna Ortega knows how to get fans into a frenzy.The former Disney star, 22, demonstrated her full-on transition into fashion…

Styling Cohesion: The Devil in the Details

Her styling choices were impeccable, reinforcing the goth-glam aesthetic. The “wet-look” hair, slicked back with an almost undone quality, added a raw, primal edge, reminiscent of a midnight dip in a moonlit spring. Her makeup, featuring a smudged, dark eyeliner, further intensified the mysterious and alluring gaze so characteristic of her Wednesday persona. Accessories were kept minimal but impactful: delicate silver rings adorned her fingers, a subtle bracelet on her wrist, and a simple, thin silver necklace resting against her décolletage.

She carried a Lumiere Stand Oil Ringo Bag, its understated elegance complementing the dress without distracting from its unique texture. Crucially, the black platform boots, though largely unseen in wider shots, anchored the entire look, grounding the ethereal gown with an undeniable punk-rock sensibility. This wasn’t about excessive adornment; it was about curated impact, a lesson many red carpet veterans could learn from.

Some may have, perhaps too hastily, dismissed her Wednesday press run as “costumey.” But let us be clear: a demure floral midi would have been an abject failure on this tour. The very DNA of Wednesday is steeped in theatrics, in the macabre, in a darkly mischievous spirit. Jenna Ortega, with an instinctive understanding that only true artists possess, knows this intimately.

Her approach has consistently been character-driven, creating a compelling dialogue between fashion and narrative that elevates her beyond a mere celebrity. This look, while leaning slightly more effortless than her unforgettable snakeskin gown or those exaggerated mutton sleeves, maintained the heavy mood and sharp edge that has defined her tour. It wasn’t just fashion; it was an extension of her art.

Indeed, if I were to rank the highlights from her whirlwind of standout press looks, this custom Posen creation would sit comfortably in my top five. It stands proudly alongside her Ashi Studio moment at the London premiere—a vision of architectural elegance—and the avant-garde brilliance of Markgong at Netflix’s Tudum global fan event, not to mention the exquisite Givenchy she donned for the London launch.

Jenna Ortega may have officially concluded her press duties, but it is abundantly clear that her graveyard shift in redefining modern celebrity fashion is far from over. Her ability to blend high fashion with thematic storytelling is a testament to her intelligence and innate sense of celebrity style, a quality I predict will only solidify her status as a global style icon for years to come.

Arijit Singh Deserves A Shadow Of His Own Success

Arijit Singh, the artist, deserves more than being a shadow of his own success. The world didn’t fall in love with him because he was predictable; it fell in love because he felt unpredictable yet familiar.

Remember, when Asha Bhosle said, “Arijit Singh is monotonous and can’t change his voice.” Well, it seems like the veteran foresaw a dull dynamic that even now Singh can’t deny for himself. Because, the presence can’t be felt anymore. It’s just him, his old-school showcases on the streets, the very grounded singer who sticks to his roots.

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Videos made rounds of him riding his two-wheeler, with his friend being his co-passenger, enjoying his cuppa in his neighbourhood, Jiaganj. The Calcutta boy emotion hits you, especially as a Bangali myself, it almost rings into my emotional quotient. So, you often get his next-door homeboy sentiments every time you get a glimpse of these overtly casual moments of Singh.

Shall not lie, it’s impressive. But is what we really look for when we speak of Arijit Singh? Well, it’s July, Monsoon has kicked in; where is Arijit Singh when we need him? Exactly! Singh has tuned in only for the gloom and not the gala. The stagnancy is really bothering all of us.

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It’s the same old songs, that same old voice, the same old tonality that he sings with. Every song swerves with the same mood. Monotony has several drawbacks, and one might just fade away in the void. Typically, what we could see for Arijit Singh. He is stuck with a system, a pattern and a loop.

You hear his songs, you move in spirals only to end up at the same decimal point. Your emotions become static too, as you hear his songs. The crescendo doesn’t surprise you anymore, the silence between the lines no longer feels like poetry, it just pauses.

He has now reduced himself to a formula. A formula that worked, yes. That still works, commercially. But one that now lacks soul-evolution. Where’s the edge that made “Phir Le Aaya Dil” or “Aayat” not just songs but seasons of feeling? These days, however, he seems to skim over the depth he once dove into, settling instead for safe shores.

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There was a time when his name on a tracklist meant vulnerability served raw. Today, it feels like a background score that knows its place; never too loud, never too new. Even his rare experimental attempts feel too calculated, like he’s testing waters with one foot in, afraid to lose the rhythm of familiarity.

Where is the risk, Arijit Singh? Where is the rebellion?

Yes, we still respect him. We miss him, even as he never really left. But that’s the tragedy, isn’t it?

Maybe it’s comfort. Maybe it’s exhaustion. Or maybe it’s a conscious decision to just exist, quietly and peacefully.

However, we are now just left yearning for that one note that breaks the routine.

Arijit Singh, the artist, deserves more than being a shadow of his own success. The world didn’t fall in love with him because he was predictable—it fell in love because he felt unpredictable yet familiar. And perhaps now, that balance has tilted too far into stillness.

He can still turn this around, no doubt. But first, he must step out of the loop, challenge the echo chamber, and sing like the world is new again.

Until then, we’ll wait in the drizzle of monsoon blues, quietly hoping for the storm he once brought.

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Table of Contents

See All Celebrity Outfits From The 82nd Venice International Film Festival

Cate Blanchett

Tilda Swinton

Alicia Silverstone

Emma Stone

Shailene Woodley

Amal Clooney

Riley Keough

Monica Barbaro

Ayo Edebiri

Chloë Sevigny

Julia Roberts

Table of Contents

Sunny Leone’s Marriage, Kids

Table of Contents

Jenna Ortega Outfit Focus: Deconstructed Elegance with a Goth Edge

Styling Cohesion: The Devil in the Details

Table of Contents

Where is the risk, Arijit Singh? Where is the rebellion?