During the Tush project in October 2025, Shakira combined fashion and performance art by donning a sheer brown garment with metallic elements.
The distinction between fashion and performance art was blurred when Shakira made an appearance for the Tush project in October 2025. Her long hair added to the scene’s drama, and she donned a sheer chocolate dress with metallic elements. She was depicted tattooing a man who was sleeping close by in a provocative turn of events, as other shirtless people filled the darkened studio. She was both a creator and a spectacle thanks to the transparent and shimmering clothing, which complemented the mood.
The imagery tapped into a broader cultural fascination with the body as both canvas and stage. In an era where pop stars increasingly merge music, fashion, and performance art, Shakira’s choice of sheer metallics suggested vulnerability and power in equal measure. The tattooing scene inverted traditional dynamics: the female star as the one inscribing meaning, the male body as surface. It echoed a lineage of avant‑garde performance from Marina Abramović to contemporary pop spectacles, situating Shakira within a continuum of artists who use fashion as provocation.
This was an audacious performance‑fashion hybrid. Insight: By merging couture with the act of tattooing, Shakira transformed clothing into an extension of authorship — the dress became not just attire but a declaration of agency.
